Cuban Rumba Essay Example for Free

Cuban Rumba EssayCuban music is a combination of genres and styles, which encompasses quite a ample history. Cuban music has been molded by the music and voices of Latin America, Europe, and even Jazz. Of course, Spain and Africa did also have an evident influence on the music as well. on that point be many opposite types of Cuban music all of which is meant for the soul to enjoy. Rumba is a actually a secular folkloric form of music, which consists of drumming, dancing and vocalizing of both Afri idler and Spanish languages that has been performed for ages. The dance term or influence is actually derived from the 16th century when black slaves were importedfrom Africa, and the word Rumba can cover a variety of terms such as Son, Guagira, Guaracha, and Naningo. However, the exact meaning of the word varies from location to location. Still, it is strongly evident that the Cuban Rumba saltation hails originally from Africa where the native Rumba folk dance was essentially a versed dance that was vigorously fast with strong and forceful hip movements as well as sensually aggressive attitudes on the part of a man and a defensive attitude on the part of a woman. The music, itself was play with a staccato beat, keeping up with the thrusting and vigorous movementsof the passionate dancers. Instruments that were also included were the marimbola, the claves, and the drums. The Son was the popular dance of middle class Cuba. It is, in fact, a modified slower and even more refined version of the native Rumba. The instruments are basically still the equal as are the movements. However, they are toned down a bit. And, even slower than this dance is the Danzon. The Danzon is the dance of wealthy Cuban society. In this dance, genuinely small steps are taken, season the women producea very subtle tiltingof the hips by alternately bending and straightening the knees. The dance known in the United States today as the Rumba is a composite of some(prenominal) danc es popular in Cuba, including the guaracha, the Cuban bolero, the Cuban son, and the rural rumba. All of the dances have very similar rhythms that can be traced back to religious and ceremonial dances of Africa. The same pulsating dance rhythms may still be found in parts of Africa, but the dances have been altered by contact with other cultures and races. For example, The rural rumba is a pantomimic dance originating in the rural areas.It depicts the movements of non-homogeneous barnyard animals in an amusing manner, and is basically an exhibition, rather than a participation dance. Both the Cuban son and the Cuban bolero are moderate tempo dances in traditional ballroom form. The guaracha is distinguished by its fast, cheerful tempo. Ten after Americans modified the tempo of the Cuban rumba, subsequently band leader Emil Coleman imported Rumba musicians and dancers to New York but no interest developed. Real interest in Latin music began about 1929 as a result of increased Ameri can tourism to Latin America. In 1935 GeorgeRaft appeared with Carole Lombard in a movie called Rumba in which he compete a suave dancer who wins the lady through dancing. Rumbas unique styling and unusual musical rhythms immediately captured the fancy of ballroom dance enthusiasts, and it has retained its popularity to the present time. The Cuban style is characterized by forward and backward steps. The American version is done in a box pattern with Cuban motion as its headsman characteristic. Cuban motion is a discreet, expressive hip motion achieved by bending and straightening the legs and carefully timed weight changes. American Rumba is one of the most(prenominal)popular ballroom dances today. The rumba itself refers to several Latin dance forms, which can all differ greatly. Almost all rumba dances are meant to infer the sexual relationship between partners. The moves can be subtle or quite obvious, which is all depending on the type of form danced The Cuban rumba is very different than what one would see in a ballroom dancing competition. The dance is highly energetic and was thought to have derived directly from the dancing of African slaves from nearly the West Indies and the Caribbean. Dance historians date performance of this form of rumba back asearly as the late 16th century. Some of the moves are so suggestive and frank, that the dance was often considered unacceptable in the countries it was performed, and was actually prohibited. The Cuban rumba requires a high degree of athleticism, as it is very fast. The dance represents a seduction attempt on the part of the male, with the female standing resistant to the mans charms. This form of rumba frequently includes acrobatic moves, like handstands, flips and cartwheels, unremarkably performed by the male. In order to achieve sexual gratification, he must impress his female partner.The second part of the Cuban rumba usually brings the dancers shutdown together, and the movements are easily ind icative of sexual longing. There is much what one might deem inappropriate body contact when the couples connect, and many moves indicate various sexual positions with the male clearly dominant. The partners are often hip to hip in dance connections. This type of form is rarely seen except in exhibitions since it requires a great deal of space to perform it properly. The dancers are mostly apart, and utilize a significant amount of floor space while performing very different acrobatic moves far apart from each other.In conclusion, today the rumba is known to be one of the most popular ballroom dances because of its kindle movements and rhythms. The Cuban Rumba is one of the most important and popular folkloric styles still played frequently in Cuba at musical parties. This is one of the most trying and syncopated of all Cuban musical styles in popular folklore, both in its music and dance. Guaguanco is a medium paced rumba style that is danced by a couple. BIBLIOGRAPHY http//www. centralhome. com/ballroomcountry/rumba. htm http//www. ibiblio. org/mao/cuba/music. html